Tag Archive: Sonia Rivera Valdés


Editorial Campana is pleased to announce another event!!

Monday March 16th, 4:00-5:15 p.m. This event is bilingual English/Spanish B.M.C.C. (Borough of Manhattan Community College): Room: S-605. Reading and conversation with Sonia Rivera Valdés (Casa de las Américas Award winner) author of Stories of Little Women and Grown-Up Girls (Historias de mujeres grandes y Chiquitas)

For more information please visit Editorial Campana or the BMCC website. Also look for future events hosted by Editorial Campana!

Editorial Campana is pleased to announce the first event for MARCH 2009.  In Celebration of International Women’s Month with Margarita DragoJacqueline Herranz BrooksSonia Rivera Valdés(Casa de las Américas Award winner) and  Paquita Suárez Coalla.  The authors will read from their new works and chat with the audience. The event will take place Thursday March 5th, 8:00 p.m. at Librería Caliope, NY. PLease visit editorialcampana.com for more information and for directions.

 

 

Google and Amazon have just recently announced that they will be pushing many books to be released into cell phone format. As many of you may know from our last post, the iPhone has many applications that allow you to read books, and there are other devices such as Amazon’s Kindle and Sony’s Reader. Yet as many of these devices are still expensive, people don’t want to spend more money at a time when most are watching what they spend. Knowing this, Google and Amazon have decided to make books available on many cell phones. 

Keep in mind that this news comes at a time when Amazon has announced that they will be releasing a newer version of their popular Kindle- the Kindle 2. Maybe Amazon hopes that even though mobile phones will allow you to read books, the new Kindle will offer features that will make consumers want a Kindle to read “Stories of Grown-Up Girls and Little Women,” written by Sonia Rivera-Valdès  Kindle already offers over 200,000 titles and with the release of the new Kindle, many  more are sure to follow. So why then would Amazon decide to make mobile phones have access to this library- exposure and profits. Although the Kindle is costly, it does make reading an electronic book easy. It’s large screen makes the reader feel as though they are reading an actual book than a cell phone would or even the iPhone.

But just as camera phones have not replaced digital cameras, smartphones are not likely to replace dedicated e-book readers like the Kindle or the Reader from Sony, analysts said. These specialized devices have screens about the size of a paperback book and use a technology that does not require backlighting, which makes them easier to read in most light conditions. They also have longer battery life.

The point however is that e-books are taking over. Although the future is still unknown, every day, e-books are proving that they will most likely become the new standard. With the growing popularity of Kindle, Sony’s Reader, applications, and now cell phones that can access books, it is just a matter of time when we will know libraries as digital vaults and monitors will become the new pages that we bookmark and instead, readers will say they can’t wait to find out what happens on the next screen. Books seem as though they will soon be found in museums (if they aren’t replaced by something digital) and maybe holding onto a couple may be a good investment as they might easily become collectors items.

As the economy has taken a downward spiral, what impact has it had on book sales? The economy, as we all know, as bad. Many experts say that it will get worse before it gets better and many agree that it will be a while before change for the better occurs. Since the decline of the economy, prices have dropped, gas has gone down, and everyone is wondering what will happen next. When “Black Friday” came around, consumer found deals that made their eyes pop out.  Despite the downfall of the economy, people are still shopping.

Net sales of books in April fell 3.5 percent to $472.7 million, based on data from 79 publishers as reported to the Association of American Publishers.

We probably should have expected this as many other products have been on the decline since the economic crisis. surprising though is that digital-based copies of books have not declined. sales in April rose almost 20%. This may be due to the fact that Kindle has increased in popularity. It may also be due to the fact that people are looking to spend their money in the best way possible- treading away from traditional media and venturing into the digital realm. Maybe there is some sense in buying the digital copy of Sonia Rivera-Valdès’ Stories of Little Women and Grown-Up Girls

Due to the decrease in book sales, many bookstores may start to sell books at lower prices to try and attract customers. Since the stores and retailers usually buy books at a fraction of the price for what they sell them, it may be in their best interest to slash prices if they are to stay in business, especially if the economy continues its trend.

“Most bookstores buy stock for 20 to 40 percent off suggested retail,” May said. “But they can buy remainders and other bargain books for as much as 90 percent off retail price. That means they can sell the books for less in a time when consumers are spending fewer dollars on books, and still make a higher profit margin.

As we get closer and closer to the end of 2008 and move into 2009, we can only hope that book sales will increase. Even if digital book sales continue to increase, traditional books also need to make a comeback. Hopefully, by slashing prices books will become more and more attractive, even in this digitally run world.

Read the full article quoted: Book sales in decline as U.S. economy contracts

 presents Sonia Rivera Valdés’ latest book

available in English and Spanish

 Editorial Campana presenta el más reciente libro de Sonia Rivera Valdés

disponible en versiones en español e inglés

The books can be bought through Editorial Campana , Amazon, and Barnes & Noble.

Following the success of her bestselling first book (Casa de las Américas award, 1997), Sonia Rivera Valdés continues the saga in Stories of Little Women and Grown-Up Girls, where characters and narrations intertwine and whirl. The tragic death of Ana, a writer’s sexual adventures in Cuba, and the erotic incidents involving a music professor and her student’s fiancee. Love, death, betrayal and sex…these stories rise and fall on waves of humor and surprise, and drop us deep into lives that maintain their centers and strength, regardless of crumbling worlds around them.

 Historias de mujeres grandes y chiquitas de Sonia Rivera Valdés (Premio Casa de las Américas, 1997) es un libro donde los personajes y las narraciones se suceden incesantemente: la trágica muerte de Ana, los enlaces eróticos de una profesora de música con el novio de una estudiante y las aventuras sexuales de una escritora en Cuba. Con un excelente sentido del humor, con el elemento sorpresa atravesando cada relato y con la oralidad marcando cada texto, las escenas contadas harán que el lector se involucre mientras las escucha.

 

 Praise For Sonia Rivera Valdés’ Work

 

 Sonia Rivera Valdés is a transgressor in different spheres and has found a strange internal peace in her writing exercise which incessantly, and sheltered by the parasol of tolerance, is at the service of an infinite number of noble causes. Her minimalist style speaks about extremely crude realities in a clear and inimitable language. This is a captivating, unforgettable book.

–Nancy Morejón, winner of Cuba’s National Prize for Literature, 2001

 Sonia Rivera Valdés has an uncannily intense way of inhabiting the souls of her characters. Their predicaments are usually irresolvable, but then so is life, and it is her allegiance to the texture of life that makes her work so remarkably vivid. These bitterly exuberant, sweetly regretful, very sad and fierce and beautiful stories will haunt you for a long time.

–Paul Russell, author of War Against the Animals

 The mad, the curious, the inexplicable in human behavior-that which is not sanctioned by society-are the pivotal points in Sonia Rivera-Valdés’s narratives. Her characters live fully, without missteps, precisely because the author has turned the tables on propriety.

–Zaida Capote Cruz, Institute of Literature and Linguistics, Havana, Cuba

 Sonia Rivera Valdés presents a prose that is unconstrained, daring, reminiscent of Anaïs Nin.

    –Oh! Magazine

 Vastly entertaining, slyly heretical, and probably the most important book of stories since Joyce’s Dubliners.

–William Monahan, author of Light House

 This work promises to be revelatory.

–Library Journal

The book alternates between tears and an ironic smile…We cry with the prisoner in “Like in Jail” and we laugh satisfied (especially women) with the lesson the cello professor gives her accommodating lover in “The Eighth Fold”.             

–Hoy, newspaper (New York)

 The stories of women that Sonia Rivera Valdés presents keep this writer among the Hispanic talents who place the literary work of Latino writers of this city in the top echelon of originality, talent, and sincerity.

–Siempre (New York)

 With the particular charm of characters that could be any neighbor in El Barrio, and the attractive turbulence of some stories that capture the attention and teach in endearing ways, Sonia Rivera Valdés performs a service to literature, to the elastic gay-lesbian-queer community of the Hispanic world, to groups discriminated against or marginalized by local supremacies, and to all of us who believe in the dignity of the human being and in the value of differences.

–Susana Reisz, Lehman College, Contemporary Latin American Literature

 Rivera Valdés has set out to search for a language, for a kind of writing, that would subvert the model, and along the way has created believable and functional characters, narrators, and narrations. She resorts to irony and parody when needed to enhance meaning, but above she all has avoided the deceptive reflection of the stereotypical and untruthfully Caribbean. She has neither trivialized the narrative voice, that of her characters, nor that of the author herself, and has succeeded in not letting the model die behind the mask of a fictitious construct labelled “caribbeanism”.

 –Alicia Perdomo, literary critic

 Sonia is at war with the traditional and still dominant forms with which feminine subjectivity is represented in a patriarchal culture. Her alliance with emerging forms of the feminine (the nomad, the mestiza…) converts her into the traveling companion of many other creators and thinkers that, through history, literature, the visual arts, philosophy or political activism, are tracing a radically new map of the world of women.

–Marta Sofía López, Universidad de León, Spain

 The stories are constructed by an image that destabilizes all attempts at clear and precise definition; their aesthetic conspires against all processes of institutionalization or naturalization of accepted limits…What characterizes these stories are not their stereotypical nature, but rather their constant crossing of the lines of accepted codes, their insistent questioning of the limits imposed by stereotypes.

–Emilio Bejel, Professor & Chair, Department of Spanish & Classics

University of California

 I sat on the bed to listen to myself with a book as interlocutor. At around page fifty, tears surprised me, and I gave myself over to the accumulated pain…Thank you for Stories of Little Women and Grown-Up Girls.

–Anna Chover, Professor, Valencia University, Spain

 When I finished reading Stories of Little Women and Grown-Up Girls I remembered what Luce Irigaray said about eastern philosophy because these stories are exactly the opposite. Instead of formulating the real, removing it from concrete experience, her writing makes us stronger and wiser, more able to face life itself.

–Margarita Drago, author of Memory Tracks: Fragments From Prison (1975-1980)

 The book is a kind of emotional x-ray of a series of women who, in trying to accommodate as much as possible both their lives and their desires, reflect on the stories that have touched them, the ones they have chosen, lived, and faced without fear and that until now have  been their destiny.

 –Paquita Suárez Coalla, author of So I Won’t Forget